Showing posts with label The New 52. Show all posts
Showing posts with label The New 52. Show all posts

Friday, 8 April 2016

Justice League The Darkseid War Part One Review

In the seventh volume of the best-selling Justice League series that sees the return of Darkseid, the very being that first brought earth’s heroes together and became the Justice League. His reappearance is not to take revenge on the heroes but, once again makes earth his war zone with the Anti-Monitor, one of the most destructively powerful beings in the Universe. Will the efforts of the Justice League be enough to stop these two unstoppable foes. Collects Justice League #40 – 44 and DC Sneak Peek Justice League #1 by Geoff Johns and Jason Fabok.

Get ready for one of the biggest Justice League epics in recent years. The ruler of Apokolips once came to earth that prompted the formation of the Justice League and the Anti-Monitor, the universe destroying creature that the Crime Syndicate of earth 3 fled from in the Forever Evil story. These seeds that had been sown have finally come to fruition. The opening chapter is a prologue to the events of the Darkseid War, setting the stakes for what’s to come, while giving the reader some background the history of the DC Universe and introduces Grail, the daughter of Darkseid that’s joining the war against her father. There is some fantastic artwork in this opening chapter that depicts various timeline resets illustrated by guest artists throughout the issue, the recreation of the Crisis on Infinite Earths is stunning. It’s pretty heavy on the narrative before the main events of the story are set into motion. 


In a Terminatior esque opening, two evil new gods track and kill every woman that shares the name of their target that draws in the Justice League and the introduction of Mr. Miracle on Apokolips sets a foreboding tone of thigs to come. Things go to another level as the Justice League come into contact with Metron, the new god who observes events of the universe. The scale of the story is the biggest of the series the conflict on the two giant godlike beings having there war on earth where all most of the league can do is watch, elsewhere Superman continues his mistrust of Lex Luthor and the two are thrown into a situation where they are forced to work together, even though there missing out on the main action there is subplot is interesting with its own share of action and intrigue. The New Gods and the Amazons are one of the more interesting aspects of DC Universe, the two seemingly unconnected facets that this story originates from. Most chapters are narrated by Wonder Woman, it’s great seeing her as a front and centre along with her new costume redesign by Fabok in the last arc gives the character a welcomed focus while her narration adds that extra layer of gravitas to the conflict. Much of the league have great character moments, some even going through a vast transformation as they become more than human. While many stories claim that they takes the heroes in a new direction, here it’s an understatement, you’ve never seen Superman, Batman and the Flash like this before. Artist Jason Fabok made a spectacular debut in the previous story-line and he’s in finer form here, his dark but no less heroic art style gives an epic quality, blending intricate details and powerful superhero physiques while possessing a strong ability to convey emotions and moods. 

Even though the last volume was ten issues long this book is only half as long and ends on a pretty shocking cliff hanger. It would have been great to get the complete story in one volume but ending it here allows readers to get into companion piece graphic novel Justice League: Darkseid War - Power of the Gods, consisting of one shots of the heroes with their new abilities and roles. Ever since the launch of the New 52 DC Comics flagship title has been getting bigger and better, the Darkseid War is becoming Johns' epic finale in this best-selling and acclaimed series. With all the series of the New 52 the Justice League has the most benefited of the relaunch with many different having a fresh start from what’s happening in their own respective titles.

For the first part of the Darkseid War, it’s shaping up to be one of the finest Justice League story lines by Geoff Johns. It's epic superhero action on an unprecedented scale. Johns has been setting the story in motion for an over a year now and anytime they bring Darkseid into the mix you know it is going to be an epic story, and this one is no different. Usually stories of this scale become big crossovers, but this is a self-contained story. It’s another dark and superhero spectacle with epic confrontations, dramatic plot twists and cinematic art that isn’t just another Darkseid conflict, this is bigger and more unpredictable.

Monday, 21 December 2015

Green Lantern Volume 3 The End Review

With the Guardians of the Universe having unleased their Third Army like a plague across the cosmos, two of the greatest lanterns Hal Jordan and Sinestro have disappeared. Their power ring has gone in search of a new recruit, the wrongly accused Simon Baz. This newcomer has joined the Corps in a time of great turmoil. He seeks to clear his own name and discovers was happened to the ring’s former wielders Hal and Sinestro as the Third Army rages across the galaxy. The third and final volume by Geoff Johns and Doug Mahnke in their 2011 Green Lantern series, collects Green Lantern #0 and 13-20.

The Green Lantern series is hands down one of the best DC comics series in publication, in 2005 writer Geoff Johns launched the series, having resurrected fan favourite and most popular Green Lantern Corps members Hal Jordan, making him once again the greatest Green Lantern and turning the series into the epic space opera it is today.

Rise of the Third Army is crossover event across several Green Lantern related titles. The collection opens with issue #0 “The New Normal” released after Green Lantern Annual #1 in which the epilogue of the story depicts the beginning of the Third Army. Issue #0 tells the origin of latest lantern recruit Simon Baz, growing up he faced much percussion after the events of 9-11 due to this ethnicity. In his adult years he lost his job during the financial crisis and later got involved with street racing and car theft. One night he had stolen a van which he soon discovered was carrying a bomb, he drove to van to an abandoned 
location to avoid civilian casualties. His heroic deed was short lived as Simon was taken in by the FBI as a terrorist suspect. While most of the other zero issues are serving to reflect on the past of its titular characters, Green Lantern #0 is instead looked to the future. Introducing fans to the mysterious new Green Lantern of earth in a modern socio-political climate. He becomes the latest recruit of the ring, inadvertently escaping imprisonment much to the attention of the Government and Justice League. On the run and wanting to clear his name and find those responsible, it’s a modern political thriller told within within the pages of a comic about a cosmic police force becomes an engrossing thriller. It makes for a great and diverse story arc. The zombie like plague continues without much interference to Simon Baz’s own story,all the while getting a little teases at a time to the fate of missing Sinestro and Hal Jordan, somehow having survived their ordeal since we saw them last. With the conclusion of the first story arc, the Simon Baz story makes for a refreshing and fantastic debut story that’s intense, compelling and at times emotive and funny. 

The second arc of the book and crossover event; Wrath of the First Lantern, with the Guardians misplaying their hand, the mysterious entity has escaped his prison and wishes to rewrite the history of the Universe. 
While the story to this point has had its newest Green Lantern as the lead, the mystery of Hal Jordan and Sinestro is about to be uncovered since their disappearance at the end of Green Lantern Volume 2 Revenge of Black Hand, they retake the spotlight as the main characters for this final chapter of John’s Green Lantern story. Issue #20 marks the conclusion of the arc and as well as the final issue of the series writer Geoff Johns nine year run on the title. The 64 page special final issue packs a lot for this big story making it a thrilling and epic, a satisfying end to his Green Lantern saga. An instant classic, bringing his whole run full circle with epic moments. The finale of his run is one of the best comics you will ever read, it embodies so much that made John’s run so memorable, acting as a love letter to long-time fans of the series. 

One of the most exciting aspects of this final issue is how it’s presented, the framing device of the Bookkeeper of Oa telling the story to of Hal Jordan a young new recruit. Chronicling Jordan’s time as a member of the Green Lantern Corps before the story returns to the main narrative. This look back reminds us of the stellar nine year run of John’s time on the title. A lot happens in this final issue with the current conflict with some surprises and ends in a fantastic way. When most creative teams pass the torch on a series they set up a tease for the new team to take on, Johns end his differently and in a vastly more satisfying way. Rarely in comic series do we get a definitive ending, but it feels right since this writer has had such immense run on Green Lantern creating many new characters for the mythos. He gives each of main characters an eventual fate and it’s great to see and gives the title that necessary to allow the book to end with a special quality. With all corps of the emotional spectrum on the front line for the final battle, the reader’s emotions are very much at the forefront of this amazing and unforgettable story. The final issue is one part final battle against the First Lantern while the latter gives the series its big finale send off to an epic series. The collection includes a special retrospective on Geoff Johns’ run on Green Lantern, it all gives for a strong sense of closure to Johns’ epic saga.

Sinestro’s complicated backstory is put to good use and there are solid character moments for both he and Hal in the amazing final issue as the story reaches its conclusion. Johns’ run on Green Lantern was as much about Hal Jordan as it is about his arch nemesis, Sinestro. Their relationship became more fascinating in it’s the final chapter. During the events of the story the two understood each other like never before that produces a very poignant moment as a perfect endnote to one of the most complex relationships between the hero and a villain in comics.

Artist Doug Mahnke carries out brilliant art throughout the book. His costume design of Green Lantern Simon Baz has a real standout quality to it. The excellent art carries throughout the story with many excellent moments. Early on I particularly liked the scenes in where Simon Baz’s ring erupts with energy as Sinestro and Hal Jordan’s message tries to free itself form the ring. The imagery of their heads wrapped around heads is amazing. Mahnke does solid work in the book while artists Ardian Syaf and Szymon Kudranski take over for two issues with the latter doing a great segment in the dark of the Dead Zone. His dark monochromatic art style is fantastic and if you’ve read Penguin Pain and Prejudice you’ll know what I mean. Overall the art is excellent with a few guest artists on the special finale issue.

I was initially concerned with that the collection featured two crossover stories that can make for an incomplete story. Thankfully there was only one instance where that was felt and it was minor so it doesn’t affect the enjoyment of the stories. For a book consisting of two crossovers, very little is missed. The final run by John’s is excellent is what long-time fans of his series would be extremely happy with. The introduction of a new Green Lantern whilst tying up and bring a conclusion to many elements of his amazing nine year tenure on this revolutionary series. All great things come to an end and the finale of this series is a great conclusion that could have been hoped for, an epic hit. After nearly a decade, Geoff Johns bids farewell to the character and concept he redefined for a new generation, creating one of the definitive superhero sagas of this era.
 

The End is an apt title for the collection, providing a conclusion to nine years’ worth of storytelling and redefining Green Lantern for this decade. Johns’ final chapter created the newest human recruit and while giving a satisfying end to all of the major characters that existed in his Green Lantern universe. The series still continues with a new creative team, although what Johns gave us seemed like a series finale of the series that he redefined for years to come. Johns ends his Green Lantern masterpiece with a stellar blockbuster. Amazing, after a nine year run, comprising over one hundred issues, he had taken a somewhat cheesy character and turned it into one of the most consistently thrilling, compelling and outright enjoyable heroes in comics. He made Hal Jordan one of the greatest heroes in comics and along the way writer Geoff Johns became a hero to all Green Lantern and comic book fans.

Thursday, 26 November 2015

Green Lantern Volume 2 The Revenge of Black Hand Review

The second volume of Geoff John’s New 52 Green Lantern series picks up exactly where the first volume left off. Sinestro has arrived on Hal Jordan’s doorstep after learning of a prophecy that will mean the end for the Green Lantern Corps and it will be the doing of their makers, the Guardians of the Universe. The former adversaries turned allies Hal Jordan and Sinestro discover that Black Hand, the villain behind the Blackest Night is found and is part of the Indigo Tribe, adding more mystery to that of many of the Indigo Tribe. Collects Green Lantern #7 – 12 and Green Lantern Annual #1 with art by Douge Mahnke, Ethan Van Sciver and others.

Picking up where the last one ended Sinestro envisions a prophecy of the Green Lanterns at the hands of the Guardians and its connection to the Indigo Tribe. Sinestro interrupts a reluctant Hal Jordan and during their confrontation the wielders of the indigo light appears, abducting the two and forcibly induct Sinestro into a member of their tribe.

This was one exciting read, the story features the villain Black Hand, the herald of Nekron during the events of 2009 event; the Blackest Night. In the epic , Black Hand resurrects an army of the dead as Black Lanterns. The story also marked one of the first major appearance of the Indigo Tribe and their leader known as Indigo-1. The story concluded with their disappearance along with Black Hand, taken prisoner on their home world. He seems to have been rehabilitated under the influence of the Indigo ring.

The collection covers two story arcs; the Secret of the Indigo Tribe and Revenge of Black Hand, this story arc about his return home and mission to resurrect the as many as the dead as he can with the underlying subplot throughout the book is of the Guardians preparing for their newest plan to replace their Green Lantern Corps, setting the stage for another amazing Green Lantern story, Rise of the Third Army. It’s a very thrilling read concerning two great characters once again on the same side; Green Lanterns Hal Jordan and Sinestro. It’s a great story with some fantastic visuals, with his power ring having limited functionality Hal Jordan must create other ways to get around as he can’t fly. This gives artist Doug Mahnke to be very creative for transport for Hal around the jungle of the home world of the Indigo Tribe giving way for few great moments. The story acknowledges the past Green Lantern stories, the formation and mission of the Indigo Tribe is very much tied to Abin Sur, the predecessor to Hal Jordan, the end fight between Hal, Sinertro and Black Hand is very reminiscent of the first time the trio first crossed paths in a graveyard in the revised back story Green Lantern Secret Origin. As you settle down to read prepare to read the final issue Green Lantern Annual #1 the dripping blood style Green Lantern logo, similar to the style of the Death of Superman story, lets you know that this 48 page special was going to be something else and it was. Ethan Van Sciver returns to Green Lantern, the hero he helped relaunch with Geoff Johns in their Rebirth miniseries that saw the return of Hal Jordan and launched a new Green Lantern series in 2005. It's fitting to have the artist back in the brilliant annual issue that sets the stage for the next big event in the Green Lantern universe.

The second volume of the amazing Green Lantern series is on track to setting up one big event and cross over, where the eradication of the Green Lantern Corps is at hand, but unlike other threats of before their extermination will be undertaken by their makers, the Guardians of the Universe, setting the stage for a soon to be epic; Rise of the Third Army. Longtime readers are rewarded with the origins of the Indigo Tribe, the ever-mysterious Corps were the only group not to have a back story since the Blackest Night, and it’s a creepy and eerie story.The tale makes use of prophecy scenes on page that Johns is famous for, creating a level of excitement for fans for what’s to come.

Green Lantern Volume 2 The Revenge of Black Hand is brilliant and better than the first, not to say the Sinestro Volume 1 arc was bad it was just a smaller scale story after the events of the War of the Green Lanterns arc that preceded it. The previous story had the reader guessing what Sinestro was up to or if we could fully trust him. That trail of thought leaves the reader in this story, the Sinestro arc was a more personal story as he attempts to free his home world from his own evil Sinestro Corps. This story sheds a little more light on his past and becomes more of anti-hero. Hal Jordan fans will be happier that the hero has more of active role in this epic that the earlier volume. After eight years and over 80 issues of Green Lantern Geoff Johns still provides fantastic stories in the series that shows no signs of dipping in quality or substance. Johns building to another fantastic story, revealing the origins and shedding more light on the formation of the mysterious Indigo Tribe while bringing the villain Black Hand back for another story before building to a shocking and eventful conclusion that builds the level of anticipation for the third volume in the series; Green Lantern Volume 3 The End.

Tuesday, 10 November 2015

Green Lantern Volume 1 Sinestro Review

Sinestro, once one of the greatest of the Green Lanterns that were ever was. And in the wake of War of the Green Lanterns he has become a Green Lantern once more. One of the greatest villains in the DC Universe seeks the assistance of long-time adversary and Hal Jordan who is struggling with his own life that he was stripped of his power ring and is no longer a Green Lantern that is until Sinestro makes him an offer to once again become a Green Lantern and rescue the inhabitants of Korugar, the renegade Green Lanterns home world from the his own Sinestro CorpsCollects Green Lantern #1 – 6 by Geoff Johns with artist Douge Mahnke as part of DC Comics the New 52.

When I started getting into comics it just shortly before the DC Comics initiative the New 52, in which DC relaunched all its titles with new #1’s acting as a fresh start to all its titles. On first impression it appeared the Green Lantern title went back to when SInestro was a Green Lantern. The misconception here is that Green Lantern is one of the only titles of DC’s relaunch that remained unchanged by The New 52. The villain becoming a Green Lantern is just the next exciting chapter in long time writer Geoff John’s amazing Green Lantern saga with artist Douge Mahnke.

With conclusion of the previous story arc Hal Jordan is no longer a Green Lantern due to the belief that the Guardians of the Universe deem him to be too dangerous, they discharge him for the Corps taking his ring and sending him back to earth. As Hal tries to pick up the pieces of his life, struggling to live a normal life and mend his relationship with Carol Ferris, Sinestro is on Oa being reluctantly being re-inducted back into the Green Lantern Corps. As he is now reinstated as a Green Lantern the former villain sets out to protect his sector including his home world of Korugar which is under the control of his own Sinestro Corps. He requires help and gives Hal Jordan a chance to be a Green Lantern once more in exchange for his help to free his people. The two have a long history, and this story becomes more of a character driven story with complex rivalry between Hal and Sinestro. Even though the Green Lantern series follows Hal Jordan as its main character, in this story Sinestro becomes more of a main role in the tale. It’s a smaller scale story that follows the event of the massive War of the Green Lanterns story building towards another big Green Lantern epic by Geoff Johns. The best thing about the story is these two characters in a “buddy cop” style, emulating the relationship of the former friends back to their roles in Green Lantern Secret Origin, the origin story for Hal Jordan as Green Lantern and his first meeting of the pair. This story revisits the original relationship between the two characters while not forgetting their long complex history, it reinstates the teacher and student relationship with Sinestro in charge and Hal in the student role with limited power ring. 

It's a smaller scale story that's a bit more intricate than most, the pair have a long history with different methods and views paired together back in a story that makes for a great story with great art with imaginative work by artist Mahnke. The story has an interesting intriguing hook, that turns out to be a great character drama as they seek to rescue mission without being fully trusting of the rouge Green Lantern. The story produces some interesting character work, and after the previous arc of the War of the Green Lanterns, it stays away from galactic sized threats allowing time to build up a new larger scale story. It’s a nice change of pace while foreshadowing bigger threats to come. It’s a joy to read before what’s to come. It’s a more personal story focusing more on the entertaining rivalry of Hal Jordan and Sinestro.

Thursday, 29 October 2015

The Flash Volume 5 History Lessons Review

The Flash Volume 5 History Lessons is the final volume in the series by one of the original writer/artists of The New 52 Flash series Brian Buccellato before an all new creative team took over the series with The Flash #30. The main part of the collection is the three part mystery story History Lessons, in which The Flash uncovers a serial killer that was active during the year that his mother was murdered. He investigates if both cases are connected and if he can find his mother’s killer that his father was convicted of. Also collected is standalone stories as the Flash tries to stop a thrill seeking thief and a story that is the first meeting of the Flash and friend Hal Jordan/Green Lantern. Collects The Flash #26 – 29 and The Flash Annual #2 with several guest writers and artists.

The Flash series so far has consisted of multi arc stories. Volume 5 History Lessons is made up of a variety of stories that take the Flash, to an alien planet with Green Lantern, to the skies to stop a thrill seeking sky pirate and investing a murder mystery with a supernatural element. The collection opens with “The Quick and the Green”, bucks the growing trend toward gritty realistic stories, it’s fun and light. It’s a reminder what superhero comics used to be all about. The Flash #26 is a standalone issue where the Flash has to chase down a group of thieves but, their method of transport leaves the Flash figuring out to stop group that travel by the sky. It’s a good straightforward simple story seeing the Flash in action and being tested in a way he hasn’t been before.

History Lessons is the final part of the book and the main story that connects more to the current series although, it’s pretty standalone in ways too. In this excellent mystery story the Flash/Barry Allen uncovers a mass grave that leads him to believe a serial killer had additional unknown victims. Barry believes that this could potentially include his mother Nora. Barry seeks to investigate if the there is a connection between the two cases. His investigation leads to the supernatural with the addition of a well-known guest star to help. I thought the premise of this was excellent and how it connects to Barry’s past and changes what we know. The interesting C.S.I. approach is brings it back to great elements of the series for a supernatural story. History Lessons offers an intriguing change to story of who killed Nora. The Flash T.V. series took it influences for the Flashpoint story and this newest take changes what went on before. Barry’s father had been convicted for the crime years ago and Barry always believed that he was innocent. This case is one he can’t leave alone, one that adds to his family drama. It’s a real good story.

Although thematically the Flash Volume 4: Reverse was more fitting conclusion to the original creators of this 2011 series. Brian Bucellato’s final few issues are good, offering variety to this volume before new creators take over the series. It gives you different elements and types of stories for the Flash while venturing back a bit more into his history and his mother’s death that make for the most compelling and intriguing reading by completing the final collection of issues by one of the original creators that made the New 52 Flash so great. A neat little collection of stories for fans of The Flash.

Wednesday, 21 October 2015

Batman Volume 7 Endgame Review

Batman Volume 7: Endgame is Scott Snyder and Greg Capullo’s latest addition of their Batman series. Engame is the sinister return of the Joker after his disappearance at the end Batman Vol. 3 Death of the Family. He’s back for their final showdown. For years, the Joker has regarded Batman with a sick, twisted love, thinking that one could never exist without the other. Last time the Joker set to kill members of Batman’s team, removing a weakness of the hero but now, he’s just out to kill Batman. The Joker has returned to Gotham City with a deadlier plan than ever before and is finally going to kill the Dark Knight. Collects Batman #35 - 40.

This is it, one of the biggest Batman Joker epics ever told, for decades the Clown Prince of Crime and the Dark Knight have battled it out for years with the Joker stooping to new lows and different forms of evil. The Joker’s latest agenda is to end all that and end the Batman once and for all. He’s deadly serious this time. The Joker’s first appearance in this New 52 Batman series was The Death of the Family story arc where he had returned to Gotham City after a year long disappearance after his face was cut off and reattached with belts, wires and hooks. Batman had thought he was gone for good at the end of the story. In this sequel, Joker has re-emerged with his face somehow repaired and he’s back with a vengeance this time. This story takes place after the events of Batman Eternal, Batman has a new base in Gotham and Alfred’s daughter Julia, who now works with Batman in his new base. Things kick off when Bruce Wayne is attack by members of the Justice League and battles the heroes on the streets of Gotham. Batman is horrified to learn that the Joker is behind the attack. What follows is a creepy, and sometimes bone chilling story. As the curtain is lifted on where the Joker has been hiding all this time is the first big chilling revelation of the sinister story. New light is shed on who the Joker is, it’s a thrilling read. Writer Scott Snyder first began his comic’s career writing horror comics, his unique style of horror had carried over to his Batman work and it’s been more evident in this Endgame story arc. His entire run has been horror driven, both the story arcs featuring the Joker have had a claustrophobic setting and a callous disregard for human life.

It’s a bit of a mind flip at times, twists turns and revelations, it messes with the readers head as well as Batman’s. What you thought to be true isn’t. its incredibly satisfying that readers are right there with a perplexed batman, so often is the Dark Knight depicted as a figure one step ahead of everyone else. One of the greatest stories of Batman run by Snyder and artist Greg Capullo, his artwork on the series reaches new heights of creative and gruesome imagery in Snyder’s masterful storytelling. The art complements to the horror elements of the tale. The ending duel is one the most brutal and bloodiest comic book battles I’ve ever read, this two icons slugging it out in a bloody frenzy to the end. It will considered as one of the greatest Batman Joker stories ever told.

Death of the Family was the first Joker story of the New 52 Batman series, Endgame is a brilliant sequel to one of the most significant stories of Snyder and Capullo’s Batman series. Endgame offers up a new mysterious origin for the Joker adding new mystery to who the Clown Prince of Crime was before what happened him in Zero Year, whilst still preserving the mystique that makes the Joker who he is. Endgame is an appropriate title for the story act, not only was the story originally intended to be both the creators final arc on their four year Batman run, that celebrated both the 75th anniversary of Batman and the debut of The Joker but it’s conclusion drastically changes the status quo of the Batman universe, opening the door to many new possibilities of storytelling. Endgame reads and feels like the finale, with its call-backs to the Court of the Owls and Zero Year events and serving as a sequel to The Death of the Family made it easy to imagine this as the series finale by Snyder and Capullo, thankfully it’s not. The creators aren’t jumping ship at a time they’ve made the title more interesting. It’s their second Joker epic is a brilliant story adding new mystery to an already mysterious character.

Batman Volume 7 Endgame brings a brutal and bloody conclusion between the Batman and Joker long running conflict to a close for who knows how long. Its display of action, tension and dark moments. Even though it may feel like another Batman Joker story this is the one to end all Batman Joker stories with raised stakes than ever before. Taking what has been done before and injecting it with more excitement. Batman Endgame is the biggest, boldest story told to date and will be for a long time, a modern classic. It’s the biggest story line during the creative duo’s excellent four year run on the series. A thrilling story of the most famous rivalries in comic’s history in honour of its 75th anniversary.
  

Saturday, 10 October 2015

Superman: The Men of Tomorrow Graphic Novel Review.

The Men of Tomorrow is the sixth volume in the New 52 Superman series. The story arc marks the beginning of a new era for the Man of Steel with one of DC Comics greatest writers Geoff Johns and Marvel’s legendary artist John Romita Jr, joining DC Comics for the first time and drawing Superman. A planet with no future, two brilliant scientists rocket their young child away to a better world where he will grow strong and survive the fate of this planet. But, this is earth and the disaster is adverted. Ulysses of the Great World, a hero with incredible powers returns to find the destruction his parents feared has been avoided. With Superman, this new hero Ulysses is an ally, kindred spirit and a friend to the Man of Steel but his plans for a better earth are yet to come. Collects Superman #32-39.

Geoff Johns is back writing Superman again. The writer is responsible for some of the greatest Superman stories written is joined by artist John Romita Jr. They duo have created a modern Superman story that’s great as a standalone tale for the sixth volume in The New 52 series. Johns has had much experience writing the character with superb stories.The Man of Steel
 is presented in a way that has a classic feel like Johns earlier Superman stories have always done. 

New character Ulysses shares a origin story almost identical to that of Superman. This new hero has arrived on back on his birth world, a place he thought was gone long ago. He has come into Superman's life at a time when he is feeling isolated and alone. He has found an ally, a kindred spirit in Ulysses and though the investigative journalist side of Superman as he introduces Ulysses to privileges that he could never enjoy. It's great action story with a lot of heart. Lois Lane is in the story but only in the background. Editor-in chief Perry White and photographer Jimmy Olsen, 
two other of the Daily Planet’s team get their moment in the spotlight. Clark is depicted as an outsider and Ulysses is someone he can relate to, but this story also shows how he can bond with both Perry and Jimmy. One noteworthy aspect of the story is that Superman gets a minor update to his costume as well as a new super power.

The sixth collection of the Superman series of The New 52 is a stand out read.I hadn't been interested in either of the two of the Superman series or their collected editions with one exception, I had been intrigued by Grant Morrison’s new take on the early days of Clark Kent in Superman Action Comics Vol.1 - The Men of Steel, it was good but I never continued on with the series. Superman Unchained the limited series by Scott Snyder and Jim Lee was amazing. When I heard that super star writer Geoff Johns would be taking on the Man of Steel I was very interested for the forthcoming graphic novel. After I read preview online of a major turning point in the story, it really had got my attention. The premise sounded great and with Johns as writer it only built anticipation for what could be a great Superman story. I was really looking forward to what this story was about and it didn’t disappoint. The arrival of artist John Romita Junior is a big deal, he and his father have been legendary comic artists at Marvel for decades. His art adds to the classic feel of the story with colourist Klaus Janson.

Johns has had many great story arcs previous stories of Superman, Brianic, Secret Origin, Up Up and Away and the unforgettable Last Son with Richard Donner. This latest story is the next in the growing line of classic feel Superman stories. It’s a great story and worth the hype. Johns joined the series for an eight issue arc that's one of possibly the best of the best of the Superman 2011 series. The series was reinvigorated by the creative duo making the series a lot more interesting. The introduction of a new character with similar experiences to Superman makes for a exciting and brilliant story that is a stand alone self contained story that anyone can get into without any prior reading of the Superman series. The collection is the sixth volume in The New 52 Superman adventures but is not labelled as such, possibly in an attempt to not intimidate put off by whats been a less than stellar series for one of the greatest comic book superheroes in existence. This helps the books stand out as a stand alone story or as new jumping on point as the series continues.

With this year’s release of Superman Unchained and Superman The Men of Tomorrow its been a great year for two very brilliant and very different Superman stories. It had big heroic moments and smaller kinder in between. Its an quintessential Superman tale with a retro charm that recent Man of Steel stories haven't seen since the 2011 relaunch. Its a character focused story with heart and charm. The cover logo is evocative of the classic Superman movie logo works good too. There is a timeless quality to the story making it one of the most accessible and one of the greatest Superman tales. 

Geoff Johns returns to writing Superman after so many great stories is now joined by artist John Romita Jr. The two legends together craft a modern story with a much missed classic feel to their story that works so well as a stand alone and fantastic Superman tale. 

Thursday, 17 September 2015

The Flash Volume 4: Reverse Review

Francis Manapul and Brian Bucellatto conclude their fantastic 25 issue run on fantastic the Fastest Man Alive – The Flash. The writer artist team reinvent one of the Flash’s best known villain’s in this murder mystery as The Flash chases down the deadly speedster who grows faster with each victim. The exciting story arc Reverse ends their run before a single issue crossover on the Batman origin event Zero Year. Collects issues: The Flash #20 – 25 and #23.2 The Reverse Flash.

Just when Barry Allen’s life seems to be settling down after the chaos that was his clashes with the Rouges and the invasion led by Gorilla Grodd on Central City. Barry’s life appears to be getting to a better place moving in with his girlfriend Patty Spivot and has rescued Iris West and the others who had been trapped inside the Speed Force. All appears to be good, until a super powered murderer starts killing those with a connection to the Speed Force. A new Flash epic stars here.

After the more fantastical elements have been dealt with in previous story arcs, the central conflict of Reverse is that of a murder mystery that’s a bit more grounded approach for a story. It’s a more compelling story than previous of the run so far, it exercises some restraint in its approach. The style of story and art by Manapul feels like the mystery stories that he worked with writer Geoff Johns on their 2010 series. The Flash can do almost anything but here he uses his scientist skills to help solve the grisly murders. With both Barry and Iris both targets of this killer, their proximity to each other may prove problematic for Barry’s relationship with Patty. With earlier Flash stories of the series having so much happen so fast, this story is slowly unraveled, just the way a murder mystery should. It has a greater emphasis on Barry’s police work and interpersonal relationships, adding more substance the world of the Flash. It also gives the core conflict a sense of urgency. The plot thickens at a slower pace than normal and it’s nice that the slow reveal gives the events ample room to breathe. Just as the killer's identity is revealed, the Villains Month issue steps back from current events and reveals the back story of the interesting villain, building anticipation and suspense for the overall story. The new take on the Reverse Flash is fantastic, his plan is a darker reflection of Barry Allen’s good intentions during the Flashpoint story by Geoff Johns in 2011.

The two year run by Francis Manapul and Brian Buccellato finishes on a high note, it’s a great ending story arc to their run on the Flash. Their Reverse story arc serves as a nice farewell to character that the creative team have handled so deftly. But before it can feel like a grand finale send off from the creative duo, they’ve one more story to tell. The Flash #25 is part of the Zero Year tie-in reveals Barry’s role during the Batman: Zero Year story. During Gotham’s blackout caused by The Riddler six years ago and before Barry Allen got the powers that made him The Flash. He responded to a call set out to Law Enforcement Agencies during their state of emergency, Barry is in Gotham helping out Harvey Bullock investigating a new drug on the streets of Gotham. In a surprising reveal it is the first meeting of he and Iris West. The two get on well and this flash back story sheds some more light on the chemistry between them, despite what is taking place in Barry’s relationship with Patty in present day continuity. The creator’s ability knack for characterisation carries the story through what would otherwise be a straightforward plot. It is an interesting tie to Zero Year with the focus on showcasing the kind of person Barry Allen is, with an eye on the hero man he’ll one day become.

The art thankfully remains one of the best parts of the series. Manapul and Buccellato fully perform art duties on their final story arc. In terms of art, the duo have been one of the most consistent on a comic series. Artist’s Scott Hepburn and Chris Sprouse pencil the Villain’s Month and Zero Year issues respectively, with original artists returning to their stunning art for the final few pages in Gotham. The art has always remained one of the greatest qualities of the stories, from the innovative layouts to the combination of soft tones and strong splashes of colour, everything about The Flash's visuals is executed with a level of sophistication that few superhero comics could match. In their final arc the two speedsters clash and produce incredible violent battles throughout the story that make the incredibly vibrant art alone makes this a Flash fight a standout of their run and one the Flash's greatest battles.

Francis Manapul and Brian Buccellato wrapped up their epic Flash run by introducing Reverse-Flash in a big way.The final story arc Reverse, concludes the run by pair duo 25 issue run on the Scarlet Speedster. Reverse plays more to Barry Allen’s strengths as an Crime Scene Investigator while the events of the story further complicates Barry’s personal live with an ensuing love triangle between Barry Iris and Patty.While Buccellato would continue as a writer for the last few issues on the series collected is The Flash Volume 5: History Lessons before both creators brought their amazing talents to Batman Detective Comics with issue #30. The final story puts the Flash against a new version of an old enemy while returning the character to its stronger central theme of a murder mystery that Manapul started with previous Flash writer Geoff Johns. This was the story I was most looking forward to stars a new and interesting iteration of the Reverse Flash as well as a brilliant and fantastic end to the creative run of Manapul and Buccellto, concluding their stunning run of The Flash.

Sunday, 6 September 2015

The Flash Volume 2: Rogue's Revolution Review

The second collection on The New 52 series by Francis Manapul and Brian Buccellato co writers and artists of this collection off issues joined by other guest artists Marcus To, Scott Kolins and more. The Flash has escaped the speed force and made it back to a very different Central City, where the citizens have turned on the Flash. Meanwhile The Rouges are getting back together with their new powers and a new leader. Collects issues #9 -12, #0 and The Flash Annual #1.

This volume kicks off where the last book cliff-hanger left us. The Flash escaping the speed force and landing in the midst of Gorilla City and the recently crowned King Grood. Arriving in the secret civilization of talking gorillas with the Flash taking on Grood and learning about the prophecy about the speedster. This is my least favourite aspect of the Flash universe, but the creators acknowledge it by Barry referring to it like something out of a sci-fi movie. After Barry returns home he discovers he’s not the loved hero he once was. It brings a nice change to the story as Barry is hiding out in a rougher part of town. Barry’s life as the Flash is turned upside down and keeps his death a secret from his friends and girlfriend while he figures out what to do next. For a character that has always been so positive it’s interesting to see what he does next with his life in disarray.

The second volume of the Flash is heavy focus on the Rouges, the group haven’t always been the most imposing threat to the Flash or Central City but now has changed, it works brilliantly in tandem with Barry’s personal life in the state that it’s in.

The Rouges, the Flash’s great adversaries, this supervillain team make their debut in the series relaunch. No longer with weapons they now have the abilities of their weapons. So it’s not as easy for the Flash to just stop them by quickly disarming them. The Flash comes up against each member of the Rogues in a before they are recruited by their new leader for a big showdown with the Flash. The story building to an exciting clash between the Rouges and the Flash. The Flash Annual #1, keeps the suspense going after the thrilling issue that preceded it. The double length annual issue does some exposition into the history of the Rouges and how they got their new powers before returning the story to the big showdown.

The Flash #0 is collected at the end of the volume and is a welcome return to wonderful art of Manapul and Beccellato. A loose origin story, this issue details how Barry got his powers and motivation for becoming a hero. It’s less of a superhero story and more of an emotional story, the tender subject of his relationship to his parents and the murder of his mother forms the heart of the story. It introduces an intriguing new mystery and history to the death of Barry’s mother Nora and what his father had in connection with his wife’s murder/death. It’s a new twist on a familiar story but it’s ambiguous and left up to the readers interpretation of what happened? Is the reboot relying on the most recent retcon to Barry Allen’s history by Geoff Johns in the Flash Rebirth series or is this New 52 Flash setting up a new change to this element of The Flash?

Again the team of Manpul and Beccellato create some beautiful art for their story, doing art for the majority of the issue while artist Marcus To fills into for two issues before we return to the original and elegant art the series is known for. The Annual issue features several guest artists for the double length issue.

Rouges Revolution is a solid follow up focusing on one of the best elements of the Flash, his Rouges. The Flash takes on each member of the group individually before as they all band back together to take down the Flash. Along with Gorilla Grood at the start of the book setting up the next story arc Gorilla Warfare which I’m sure is to also include the Rouges in the third volume of the series.

Thursday, 3 September 2015

The Flash Volume 1 Move Forward Review

The Flash Volume 1 – Move Forward is the first collection of The New 52 series. The Scarlet Speedster is back in this new series from DC Comics reboot offering a fresh start to many of its characters. Central City police scientist struck by a bolt of lightning and doused in chemicals making him the Fastest Man Alive. Writer and artist Francis Manapul with colourist create the most beautiful comic book series. Move Forward collects issues #1 – 8 of the series. 

The Flash is back in this exciting and thrilling collection of the first eight issues of this series. I’ve recently become a huge fan of the character and this new 2011 series is a great place to enjoy new Flash stories. Barry Allen had a brief comics return since his return after a 20 year absence, he starred again as the main Flash in the 12 issue series by Geoff Johns before the DC Universe was rebooted. The Flash is one character that greatly benefits from this relaunch, no longer tied down to the occurrence of his own death, the series can run afresh into a new and exciting series for the Flash.

In this new continuity Barry is no longer married to Iris West, their marriage new happened and instead has recently started dating co-worker Patty Spivot. It’s during their first date that our story begins at a Tech Symposium where a masked gang break in looking to steal a piece of technology. Barry gives chase but the gang get away in their plane, Barry saves one from the fall but learns that he died and not only that, but the unmasked dead man is someone Barry knows, an old friend, Manual Lago. Knowing that something doesn’t add up related to his friend’s death Barry carries out his own investigation at home an intruder enters and it’s an alive and well Manual.

The mystery deepens to what’s going on with his old friend who is being chased by the gang known as Mob Rule that leads to a city wide blackout. The Flash gains a new power set as he develops his mind to function with his Speed Force and the rest of his powers which he doesn’t have full control over yet. The Mob Rule story arc is great and gives the character a new villain to contend with. The Flash later comes face to face with a classic villain Captain Cold. The Flash isn’t the only character to gain a new power set, the new and improved powers of Captain Cold make for an exciting story. The way the plot jumps back and forth through time helps simulate the quick-moving nature of the book's titular character and makes the read far more engaging than it otherwise would have been if it chronologically moved from one beat to the next.

It’s a fantastic opening collection of issues to this new Flash series and I haven’t even mentioned the art yet. The art is amazing , it’s some of the most beautiful, dynamic and wonderful art ever created. It has a retro feel with water paints style of colouring. The layouts are wonderfully presented and are so creative. It’s one of those occasions where full creativity is given to a creator who is both writer and artist on a comic series giving full creative control on the story and art. It’s a visual treat. The artistry was one of the main reason I got into the series as I had enjoyed Manpul’s art on the previous 2010 series by Geoff Johns. Manapul’s art and creativity knows no end, the opening of each issue cleverly displays “DC Comics Presents The Flash” incorporated into the background of the scenes. The art is incredible and makes this series so fantastic.

This new series is a fresh start with some of the most charming and beautiful art you will see on a comic book character that suits so well to the tone of the hero and the series. An adventure story with the bright red clad hero. Looking forward to the second volume and later series. The book is fun to read and the art comes first place seeing the creativity and imagination of its creators is stunning and a joy to read and a pure visual treat.

Sunday, 9 August 2015

Justice League Vol. 6 Injustice League Review

Injustice League is the next volume in the Justice League series by Geoff Johns. This latest volume's collection of issues is comprised of two story arcs from the series that follows up on the outcome of the Forever Evil mini series also by Johns. Now that Lex Luthor is a celebrated hero after defeating the Crime Syndicate and saving the world he seeks to join the Justice League. Joining the fight the approaching threat prophesied throughout the Forever Evil story arc. Doug Mahnke is artist for the first half of the book while Jason Fabok takes over on the second story of the book and is the newest artist on the series. Collects issues #30 - 39.

Lex Luthor - Hero, the former villain has saved the world from the Crime Syndicate after they easily took down those who had banded together to protect it; the Justice League. In their place an alliance of villains led by Luthor, he saved the world from their rule and now he demands his place as part of the Worlds Greatest Heroes as they prepare for an even greater threat that awaits them. It all makes from some stellar story telling and makes up to be one of the greatest collection of issues in the series since Throne of Atlantis. 
The last two collections the narrative was dispersed, the Volume 4 The Grid was part of the Trinity War crossover event and Volume 5 Forever Heroes was much better received as tie-ins to the brilliant Forever Evil event this latest collection gets back to its self contained single stories. 

The development with Lex Luthor gives a very intriguing new concept to the Justice League and the team wrestle with the decision of what to do. Superman is completely opposed to the idea while Batman feels it's the lesser of two evils, keeping one of greatest enemies under close watch. To learn more of the approaching threat that destroyed the Syndicate's home world, the League set out to find the latest host of the cursed ring that once belonged to Power Ring, the Crime Syndicate's version of Green Lantern. With this discovery leads to a new member of the expanding Justice League roster. With the conclusion of the Injustice League arc leads to setting the stage for the a thrilling story; The Amazo Virus. 

After the first arc establishes Luthor as part of the team the second story arc puts him on the front line with Superman Batman and Wonder Woman trying to stop the pandemic. This new take on classic Justice League villain Amazo, instead of the power mimicking android it's a infectious virus derived from the android that's already taken down the several members of the league while it gives humans a superhuman ability before it horribly kills them. It's Luthor's story, he remains at the forefront at the story arc where the league and the world need him most. Challenging him in his new superhero persona. Is the change genuine or all an act? In the aftermath of his grand victory in Forever Evil. The story continues to explore the growing emotional turmoil of whats driving him and playing up the mystery behind his motivations for joining the League. With a zombie movie vibe, it delivers a strong Justice League story anchored by a clever new take on Amazo and the unknown quantity that is Lex Luthor. he's presented in a complex and changing light. Captain Cold/Lenoard Snart is another new player in the book, after his part in the saving the world in Forever Evil, his past crimes have been pardoned and becomes Luthor's Head of Security at Lex Corp as well as his right hand man in the events of the Amazo Virus. He's part of some good moments in the story especially at the end of collection sealing his place in future Justice League stories. The book is filled with some great character moments, particulary the interesting dynamic between Luthor and Bruce Wayne/Batman. Throughout the book the team never fully trusts him, the reader and the league are always guessing is what is he up to, if anything? This makes the story so much more enjoyable.

New Artist Jason Fabok joins the series with this arc and provides some brilliant work for second half of the book, its a darker style, noir with a super heroic edge. 
The usual included extras are the character sketch book and variant cover gallery including both Batman and Flash 75 covers and Selfie and Monster variants too.

It's a great book, one of the greatest in the series since Throne of Atlantis putting the series back on fine form. With the Forever Evil miniseries gives way to a new status quo and for the Justice League. This ten issue collection of two stories with the first one being very good and the second being great with Luthor as part of the Justice League being the underlying premise makes for stories. The Flagship DC comics series is staying the strongest. It's a change in direction making it a good jumping on point for what is a relatively self contained story. The series feels renewed with a new sense of excitement, surprise and intrigue in anticipation for the next big story The Darkseid War.

Saturday, 27 June 2015

Batman Vol. 6 Graveyard Shift Review

Batman Volume 6 Graveyard Shift is the next collection from the foremost and greatest series of New 52 Batman by Writer Scott Snyder and Artist Greg Capullo. Following the last big event Zero Year, the next volume was due to be the subsequent big saga titled End Game, but instead this collection consists of stories that came in between Snyder and Capullo’s big sagas. The duo have been producing big epic long saga since the New 52 began, starting with The Court of Owls, Death of the Family and the epic Zero Year. The single issues collected are the short self-contained stories and are from different eras in Batman’s career; past present and near future. Written or plotted by Snyder with art by Capullo with a few guest artists, Alex Maleev, Andy Kubert, Dustin Nguyen and more. Collects Batman #0, #18-20, #28, #34, and Batman Annual #2.

The collection begins with Bright New Yesterday from Batman #0, it acts like a primer to the first part of the Zero Year that see’s possibly Bruce Wayne’s first interaction with the Red Hood Gang and his earliest attempts at fighting crime. When we first read the opening pages of Batman Zero Year Secret City Vol 4 Bruce is taking on the gang and their leader Red Hood One has previously met the vigilante, this could be that first meeting. Plus it further confirms in The New 52 universe that Red Hood One is the man that becomes the Joker. It has snippets of some great character moments for Bruce, Alfred and Jim Gordon. The backup story was an interesting feature showing how Batman indirectly inspired members of the Bat-family; the first three Robins and Batgirl in a superb framing device. The main story takes place just after Bruce has returned from Gotham for the first time in his crime fighting quest, it’s a first look at his pre Batman days continued from Batman #24 as collected in the fourth and fifth volumes of this graphic novel series of graphic novels.

The death of Robin/Damien Wayne occurred in the series Batman Incorporated #8 by Grant Morrison. The effects are felt in the Requiem crossover event that follows his demise, his father Batman and team mourn him, despite their continued commitment to fighting crime. Issue #18 is part of that event, Resolve is told from the perspective of Harper Row, a character created earlier in the series and makes her appearance in first of two of the stories in this book. In her first she is seeking to help Batman with whatever emotional problem he’s dealing with as he is becoming increasingly violent and careless. She’s the main character for the story and fulfils a familiar role as that of the third Robin Tim Drake after the death of the second Robin/Jason Todd in 1989’s A Death in the Family.

The best and biggest part of these stories is Nowhere Man from issues #19 and 20, an entertaining mystery action story with a classic Batman foe. When I first got Vol.4 of the series I was kind of disappointed it left out issue #19 from being collected. Its cover featured Bruce Wayne holding a gun to Jim Gordon was intriguing and is finally collected here. It’s a pretty straight-forward story, as it appears Bruce is taking hostages at gunpoint at Gotham National Bank. It’s a story more concerned with building a fun mystery for the readers to enjoy without having to play to a larger narrative. It also juggles to notion aspect of Batman’s secret identity being exposed, something not seen in Batman comics of recent and gives it an almost silver age feel to it. The story is the stand out of the collection and the two part back up story; Ghost Lights is a supernatural demon story with Superman checking up on how Batman is coping. It plays to Superman’s weaknesses to the supernatural and is a good read. Ages is an Arkham Asylum centric story as Batman gets himself incarnated in to test its security first hand. The story is told from the perspective of a new orderly who meets the first patient of the facility who’s angered by how Batman has changed the Asylum for the worst. It’s a good story and the opening splash page of Batman in handcuffs is great opening to an intriguing story. The Meek old fashioned dark detective story of Batman tracking a serial killer that’s targeting the patients of Dr. Leslie Tompkins. The timeline of this standalone tale takes place concurrently with Snyder’s other series Batman Eternal. Set six months after current continuity Batman Eternal breaks away from usual timeline as Snyder offers a sneak peek into a future Gotham and its criminal underworld. Issue #28 acts a preview of things to come in Batman Eternal.

Batman Vol. 6 is a really enjoyable book that enriches both the series and the character. Bright New Yesterday and Nowhere Man is the kind of story we’ve come to expect from the creative duo while other stories venture into new and different territory with guest artists. While the stories at the start and end are set six years in the past and a Gotham future yet to come, the core of the book’s stories take place in the present with the overarching theme of Batman dealing with the death of his son and crime fighting partner.

Since their debut on Batman, Scott Snyder and Greg Capullo have been almost consistently focused on telling sweeping epics; Court of Owls was almost a year long, Death of the Family was a multi-faceted Bat-family event and Zero Year is another year-long tale. Graveyard Shift takes a step back from the big stories to present smaller scale ones, these are the stories in between those big sagas that were previously missed during the earlier graphic novel releases. It’s a welcome change of pace and offers a breather before Snyder and Capullo’s next big epic; Endgame that see’s the return of the Joker for a story that’s expected to be another amazing story with some big ramifications in the upcoming next release Batman Vol. 7 Endgame.

Wednesday, 1 April 2015

Superman Unchained Deluxe Edition Review

Since his arrival Superman marked the dawn of the superhero age, the Man of Steel waged a never-ending battle for truth and justice, no matter when or where. But decades before the Last Son of Krypton became Earth's champion another being of incredible power fell from the sky. This “super soldier” has been living in secret and working for the US Government since his arrival 75 years ago.

Superman Unchained is a nine issue mini series celebrating the 75th anniversary of the Man of Steel. The action packed series, created by two of comic’s greats; writer Scott Snyder and artist Jim Lee, collectively crafting a story of comic’s greatest hero. The launch of the New 52 series also coincided with the release of the character’s return to the big screen in 2013’s blockbuster; Man of Steel.

The most recognized superhero in pop culture, Superman has been elevated to mythic folk hero status. Rocketed to Earth from the dying planet Krypton, baby Kal-El was found by a farming couple who named the boy Clark Kent and raised him as their own. Discovering his enormous powers, they instilled in him strong moral values—and inspired him to become a hero.

Since The New 52 began, the only two series I collected in graphic novels was Batman and Justice League. Superman Unchained is written by Batman writer Scott Snyder with Justice League artist Jim Lee. One of comic’s greatest writers and one it’s greatest artist coming together giving fans a new take of the world’s greatest superhero in one of the greatest Superman adventures told in this limited and stand alone series. 

Superman is not the only super powered alien being that fell from the sky, one existed before him but had remained in secret for the United States Military. Superman begins to uncover the decades old secret when satellites start to fall from the sky, leaving the big question of whom or what altered the trajectory of the last one. This alien being of immense power and strength arrived on earth in 1938 (a nod to the original creation of Superman) working with the US Government and Military since his arrival. An example of the extent of both his role and power is revealed within the opening of issue #1, a flashback to the bombing of Nagasaki during the Second World War in 1945.

Superman Unchained features a fully realized but younger Man of Steel. The opening of the story features Superman is taking on a colossal disaster of satellites all simultaneously crashing towards earth and the presumable perpetrators of the catastrophe is Ascension, a cyber terrorist group. The conflict of crashing satellites is well fit for Superman’s talents as well a providing action scenes on a massive scale. One noteworthy addition Snyder brings to the series is Clark’s internal monologue depicting his thought process before an incredible feat. This aspect is absent as the story progresses but makes a return in the penultimate issue. The story features Superman’s best supporting characters featuring Lex Luthor, Lois Lane, Jimmy Olsen, Batman, Wonder Woman and the mysterious alien known as Wraith all figure into in this epic story.

Wraith had arrived before Superman and has been cooperating with the US Government in a way Superman never would, sharing its advanced technology with the military and being their own super solider, their very own Superman. The two super beings meet earlier than expected in the story and in a surprising way. Rather than get into a battle the pair work together, which makes sense as Wraith has been on earth for decades and why now suddenly want to fight the Man of Steel. Everything concerning the being is mysterious his arrival, the extent of his powers and why he really works with General Lane and the military, there is more to this new character than meets the eye. The benevolent figure does fulfill a mentoring role to Superman, examining his time on earth, he questions our hero to re-evaluate his cause, his duty and his choices on his adopted home world. He gives Superman the realization of the futility of some of his actions. For a series that celebrates the 75th anniversary of Superman, it puts significant focus on his legacy, examining his place in the world and his relationship with humanity. Never before has a story showed the human side to be a weakness of Superman, the ineffectual of his existence as an outsider is very interesting and valid point. If the function of Wraith is to make our hero better he fulfills it here putting Superman’s role and duty to his adopted planet in the spotlight. 
Just as New 52 Superman is young, capable and intelligent, Lois Lane equally shares those qualities, she captures some of the spotlight in own intriguing side story as she is faced with the cyber terrorist group Ascension. One of the biggest changes to Superman in the New 52 was that he was no longer married to or in a relationship with Lois Lane, it was wiped from continuity. For fans of that classic romance, Lois and Superman share a touching moment together, the likes of which haven’t been seen since before the New 52. It’s fresh approach for the two pair to share a connection without Lois having to overly admire/ moon over Superman. One relationship that hasn't changed is that of Superman and Batman, they still share the unique friendship with the Dark Knight being one of his greatest allies and confidants. Snyder has plenty of experience of writing Batman and takes a different take here playing a significant role in the story and has some great lines getting to have his own brand of “fun” in this story. In my opinion, some of the best Superman stories feature General Lane and the military, giving a grounded element to a story. The revelation that Wraith arrived on earth prior to Superman gives the military further reason to distrust him, he hasn't fallen in line and co-operated with the military the same way Wraith his predecessor has. Throughout it continues to be an action packed and exciting story of the greatest hero on earth, making Superman appear more human without downplaying his godlike qualities.

It’s great to see Superman penciled by Jim Lee once again since the brilliant Superman For Tomorrow and as part of the Justice League. Lee’s New 52 redesign of the character was my favorite of the re-launch. His art gives you some of the some of the best comic book art you will ever see. The action packed fights, action and almost dialogue free finale lets the artist tell so much of the epic story. Artist Dustin Nguyen does equally well in a handful of backup and flashback sequences, similar to the artist’s role in Snyder’s Batman series.


The story is action packed and the story is both intriguing and exciting from issue #1. The action doesn't let up, there is rarely a quiet moment within the nine issue story, sometimes lengthy story arcs that run as long as this can lose momentum or dip in story quality, this story gets better and builds with every issue. Just when you think the final you know the final conflict, it’s merely a prelude to a much bigger threat, a testament to the quality of the creators story telling abilities. 
It does feel akin to the blockbuster 2013 Superman movie, both redefine the character for a new generation, their action packed and Superman’s alter ego Clark Kent doesn't feature too heavily, he makes minor appearances in this book. It’s a vastly entertaining and large scale Superman action story tackling the ever changing meaning of his existence.

The Deluxe Edition is a large volume and a great bonus it collects the over 50 variant covers of the series depicting notable eras in the characters 75 year history. The self contained story and the inclusion of all Superman’s best known supporting characters make this accessible to new readers whilst having more than enough subject matter of Superman’s legacy to satisfy long time fans. Also contains #1 Director’s Cut.


Superman Unchained is a modern re-introduction of the character to ever growing complicated world, no longer the all knowing ultimate do-gooder, instead is man trying to do the best he can in the ever increasingly complicated world. Stepping away from the ol’ fashioned and dated portrayal Snyder uses his story line as a means of not just redefining the Superman but better defining the character becoming more contemporary. The inclusion of Superman’s best known supporting characters ensured that the story had the intent of being a great Superman story whilst the revelation of another “Superman” assured fans that this would be a distinctive adventure, it feels like a sure future classic. It all makes for a really enjoyable, really smart, and visually sharp Superman story. 


Superman Unchained succeeds in both being an exciting and thrilling contemporary story, in addition to acknowledging the longevity and legacy of the world’s first and greatest superhero.

Sunday, 22 February 2015

SHAZAM! Volume 1 Review

Shazam! Volume 1 is the New 52 retelling of the origin of earth’s mightiest mortal, formally known as Captain Marvel, written by Geoff Johns with art by Gary Frank. Shazam began appearing as part of backup stories of DC Comics New 52 flagship title Justice League, and collects the arc from issues; #7-11, 0, 14-16 and 18-21. I was a huge fan of their previous collaborations; Superman: Secret Origin and Batman: Earth One Volume 1.

First appearing in Whiz Comics #2 (Feb. 1940) and later bought by DC, Captain Marvel was once even more popular than Superman and Batman. Young Billy Batson could speak the magic word; “SHAZAM!” and transform into the powerful hero with powers to rival Superman’s. He is sometimes referred to as “The Big Red Cheese”, a lighter take on the Man of Steel whose powers are derived from Solomon, Hercules, Atlas, Zeus, Achilles and Mercury, bestowed onto him by a powerful wizard. In an era when comics were predominately most popular with children, it served to young readers providing a kind of wish fulfillment, the same reason why Robin was introduced as Batman’s teen sidekick. Whiz Comics created the idea of young boy saying the magic word and becoming a superhero. Readers and fans latched onto the concept and even Elvis paid homage to the hero with his stage costume. Times have changed but Captain Marvel endured, remaining in the main stream where other magical based heroes were re-imagined during in the Silver Age of comics. Captain Marvel will always be a lasting reminder of a simpler time.

DC Comics have officially renamed Captain Marvel as Shazam as part of their 2011 relaunch; The New 52. For decades, science has ruled the world, but now magic is returning. Beginning from the back up stories of Justice League #7, we are introduced to a teenage Billy Batson, a foster child struggling to remain in a home. It’s a character trait that would garner sympathy for the teen but we quickly learn that he’s obnoxious, arrogant and a little bit troubled. In this revised origin he’s not very likable, which is easier to accept as a conventional type of kid that would be in an adventure story such as this opposed to the rather than the wise beyond his year’s radio personality of past iterations. Billy struggles adjusting to his new life, his new home, his foster parents, school and his foster siblings although he begins to become more likable and endearing. The story purposely takes its time developing Billy’s character. Most of his early interactions are with his new siblings, they've always played an important part in the character’s history. It places more emphasis on the new family dynamic between Billy and the others as well as effectively overhauling the mythology of the character.

Two of Captain Marvel’s best know villains are introduced. Dr. Sivana, a mad scientist type of character now depicted as a respected scientist desperate to save his family from an unknown plight. With science having failed him, he turns to magic and specifically the legend of Black Adam, the ancient but evil predecessor to Captain Marvel, the first to be endowed powers by the wizard but corrupted by them. Their connection takes inspiration from Shazam! #28 (1977) in which, Dr. Sivana is directly responsible for the resurrection of Black Adam. In true action adventure story telling style the big villain makes his debut before our hero prompting the wizard to bestow young Billy Batson with similar powers to help stop Black Adam.

After Billy is transformed into the wizard’s champion, he’s not quite sure what to do with his newly acquired abilities and doesn't fully understand or heed the Wizard’s warnings. Instead the self centered man child sets off doing what anyone in his situation would do in this modern day story. He concocts a money making scheme, pulls pranks and wishing to buy beer. It’s all short lived as he intervenes in crime after crime which was slightly unbelievable but, the moment I felt that way it was quickly resolved as the characters in the story even made the same point with a swift resolution. One of my favorite aspects of the character is that he’s a boy in a man’s body. He’s naive and when a young woman wants to repay for her rescue her real intentions go right over his head and asks for cash instead. It’s a fun and exciting story full of great moments. Despite the method that this story was originally presented it flows greatly and you don’t sense the start and end moments as you would in most graphic novels/trade paperbacks. It’s a lighthearted take, in a world full of superheroes getting darker, serious and more grounded in reality where their origins are that of circumstance and tragedy. Shazam! fully embraces its magical elements of the character and its world. Justice League #21 was a full issue given to the finale of this incredible story. Black Adam is a fascinating character with a complex but darker origin of his heroic counterpart and there final battle does provide enough action but the end satisfyingly leans more towards an emotionally-driven finale than an action oriented one, fully embracing the concept of family and the idea that it's "not what it should be, but what it can be." A theme that’s underlying throughout, that provides one of the best and most memorable moments of the entire story.

A new beginning for a classic character in this one shot stand alone origin tale before Shazam joined the ranks of the Justice League. Backup stories can be hit or miss and a lot of the time they are an unwanted addition, but it’s not the case here as the story is so good that it’s worthy to get collected in a single edition turned into seamless storytelling of a fantastic story, proving to be one of the best since the New 52 began. It’s a fun and exciting, a real change and variation from the adult superheroes we’re used to reading. It’s not afraid to be a little bit silly and slightly goofy. Embrace this lighthearted and fun story that’s rooted in fantasy and magic making it a vastly enjoyable story of the young boy imbued with great powers that’s both modern and contemporary that I’m keen to read again soon, it’s excellent. SHAZAM!

Wednesday, 18 February 2015

Batman Volume 5: Zero Year - Dark City Review

Batman Volume 5: Zero Year Dark City is the next part of the Zero Year story line that ended on a cliff-hanger in the last collection; Batman Volume 4 Zero Year Secret City, in which Bruce Wayne became Batman and successfully stopped the Red Hood gang. After that confrontation Edward Nygma made his presence known as The Riddler and in his first appearance announcing his control over Gotham, shutting off its power and challenging its residents of to rise up to the challenge to turn it back on. Also, the Gotham City Police Department's gruesome discovery sets up the main conflicts for the concluding chapters in this large scale story arc.

Having witnessed Bruce Wayne become the Batman in the last collection, Dark City is the first big challenge in the Batman’s career. He has to save the whole city while being public enemy number one in the eyes of the GCPD. The Riddler’s blackout is not Batman’s primary concern, a series of suspicious and gruesome murders are, wherein the victim’s bones grew out of their own bodies. Doctor Death was one of Batman’s original enemies; being the very first super villain Batman faced, first appearing in Detective Comics #29 in 1939, two issues after Batman’s original appearance. Zero Year Secret City featured the Red Hood, an early Batman villain, the same trend continues here in this re imagining of The Dark Knight's early crime fighting career. Both Doctor Death and the Red Hood are important players in the whole Zero Year saga, they both go way back to the earliest Batman adventures in the Golden Age of comics. Writer Scott Snyder takes one of the first villains he ever faced and puts him into the New 52 continuity as one of Batman’s first super villains. Dr. Karl Helfern, a scientist working on a bone growing serum whose experiments have turned him into a grotesque monster. The results of which have been teased in the final pages of the preceding volume. It’s a throwback to the mad scientist style of villain, Dr. Death provides the physical challenge to Batman in the first part of the story in which The Riddler can’t give. He’s also strikingly designed by Artist Greg Capullo, this modern revamp of the character is the most monstrous, disgusting and grotesque villain created and is extremely well suited to Capullo’s artistry, a most vile creation.

Edward Nygma’s New 52 origin was revealed in the first installment of Zero Year , it reveals that Nygma was once a high level employee of Wayne Enterprises and later becomes The Riddler, causing the blackout. The groundwork had been set and initially The Riddler hovers in the background as an unpredictable threat causing chaos in Gotham. He is not a physical challenge to Batman instead possess a sharp intelligence and cunning mind used to devastating effect. It’s more that just a battle of wits in the biggest scheme in the history of The Riddler. An entirely new version of the character, it’s startling and exciting to reveal as to what this new Riddler is capable of. Snyder has taken the classic Batman villain and has made him work so well in a contemporary Batman story. Some elements of Batman’s early days are somewhat predetermined. The Riddler’s schemes are not, which effectively makes the threat of Zero Year all the more terrifying. Giving Batman challenges unlike ones he’s ever faced before: A broken city, self doubt, and challenges to the essential functions of Batman himself.

In my experience of previous Batman origin tales, Bruce Wayne had always trusted Jim Gordon to some degree. He was the one good cop in Gotham. Their trust and mutual respect was always the foundation of that partnership. In this case, Bruce loathed and hated Jim Gordon along with the rest of the GCPD. It is a terrific addition to the story, Bruce saw Gordon as corrupt, distinctive of Gotham’s law enforcement and part of what turned him into a vigilante. Dark City examines Gordon’s tenure within the GCPD and puts a face to corruption that drove Bruce into taking matters into his own hands. It is a terrific addition to the story; He saw Gordon as corrupt, distinctive of Gotham’s law enforcement and part of drove Bruce into taking matters into his own hands. Dark City examines Gordon’s tenure within the GCPD and puts a face to corruption. This offers a change in the approach of how Gordon and Batman get to work together. The other part of that legend remains unchanged; a young beat cop named Jim Gordon was first on the scene to comfort the boy after the murder of his parents. His role remains the same and the event remains fully intact, it’s what comes after their faithful meeting that is altered so much that young Bruce Wayne grows up hating him. This turn of events adds a new mystery to their story giving readers and fans a twist on their iconic relationship. In the past, Jim had to prove that he would be worthy ally of Batman, Zero Year takes things one step further, personalizing the story to Bruce. Gordon had to earn back Bruce’s trust in order to earn Batman’s. After ripping down the foundation of trust between them, readers and long time fans now get to see this iconic partnership grow once more.

While the partnership of Batman and Gordon is unquestionably vital to the mythos, no other relationship is as commensurate as the one between Bruce and the ever supportive Alfred Pennyworth. While he has often shown to worry about Bruce and his protégés in the past, we now are given a depiction of Alfred constantly against Bruce’s mission. They've always had a conflict and difference of opinions and beliefs. Eventually though, Alfred proves that he basically simply wants the best for Master Bruce, and that he’ll always be there for him. He may not always fully understand or support his Master’s mission but will be ever dependable. Infusing a great deal of meaning and significance to a already meaningful relationship by adding dramatic elements that helped unite the pair in a way never seen before /innovative manner of story telling.

Bruce Wayne of Zero Year Dark City is still a refreshing change of pace from the dark and brooding persona that we've come to know. He’s less honed and regal, taking joy in what he does, a victorious smirk creeps across his face on occasion. He takes joy in what he is doing, his remark about a newly acquired scar he received as “First real kiss of Gotham” is telling of his attitude to his chosen undertaking. Zero Year Batman is a less experienced crime fighter capable of failure, he is still learning, he is vulnerable and the task at hand is too large to do on his own, it’s nice to see emphasis on the heroes without masks that carry Bruce when he falls. This is truly an origin story that enriches Batman’s character significantly, facing his deadliest challenge in his early career. This is a Batman driven by his guilt rather than vengeance. Bruce Wayne is The Batman and not the other way around as has been established over the decades.

Earlier story arcs in this best selling and critically acclaimed Batman series by Snyder and Capullo have been ambitiously large adventures but pale contrast to the Zero Year saga in terms of its sheer scale. A rookie Batman against mad machinations of monstrous Dr. Death and the ingenious of The Riddler, with only newly founded allies of both Jim Gordon and Lucius Fox to aid him in ultimately stopping Nygma’s control over Gotham City. That moment that the story has always been building to, Gotham City in ruins and Batman about to face his foe, teased way back in Batman #21 at the beginning of this story arc.

Snyder and Capullo add plenty of Batman references/easter eggs throughout, paying homage to what has gone before his re-interpretation of the Batman. The final act has a slight reminiscence of The Dark Knight Rises film.

Whereas Batman Year One was slightly more focused on Jim Gordon, Zero Year is a Bruce Wayne story. Presenting Batman’s formative years in the face of Gotham’s biggest threat, while giving insight of both characters pasts. Origin stories can typically be a short mini series or short story arc outlining the highlights of that hero’s journey. Zero Year is a large scale story, told within the pages of this Batman series, It is the origin of one of comics best heroes. Not just how Bruce Wayne came to be The Batman, but how Batman became the protector of his beloved city in the time when it was most in need. The conclusion is a deep and meaningful ending that gives new meaning to a symbolic connection of Batman and his city.

Batman is a character that is infinitely renewable, Zero Year was never intended to override what came before it instead Snyder simply/merely wanted to give his own interpretation of Batman’s origin in a modern contemporary setting of the New 52, Refining and giving us a new Batman going forward for the 75 year old character. Before Robin, the Batmobile and The Joker there was ZERO YEAR, a new take on Batman’s origin unlike any before. A 12 issue story arc offering an expanded and broader scope of an origin story. It doesn't have the appeal of a single short trade paperback graphic novel but instead Zero Year is a large scale and grand adventure, both action-packed and clever to the end. An epic story not to be overlooked and is in my opinion essential Batman story and must read.

Friday, 21 November 2014

Forever Evil Graphic Novel Review

Forever Evil is the first big event of The New 52. Earth is under the rule of the Crime Syndicate, evil counter parts of the Justice League. Earth's heroes have disappeared while villains join the syndicates Secret Society, and for those that don't, join earth's unlikely savior; Lex Luthor. The seven issue mini series is written by Geoff Johns with art by David Finch. For a story about villains Finch was a good choice of artist with his dark visuals of both characters and scenes.

Earth is under rule of the Crime Syndicate, they've taken the world's greatest heroes by surprise. They weren't prepared and the Justice League is gone. In place of the worlds protectors stands a tyrannical cabal of killers whose powers and personalities are an evil reflection of Superman, Batman, Wonder Woman and more. Their simple goal of ruling the world was instantaneous with their army of Earth's worst villains joining there cause. Lex Luthor is the one man who can stand against their rule, forming an allegiance with a crew of criminals as well as one legendary crime fighter making way for a confrontation where no matter the outcome, evil wins.

This is DC Comics and Geoff Johns' first big event of The New 52. It is pretty much a self-contained story spinning out of The Trinity War crossover. The event had building to ever since the series began, pitting the three leagues against one another and setting the stage for Forever Evil.
At the conclusion of the "Trinity War" a gateway was opened to Earth-3 allowing the Crime Syndicate to travel to our earth. Ultraman, Owlman, Superwoman, Power Ring, Johnny Quick and Deathstrom. The leader of Secret Society of Super Villains was revealed to be the Alfred Pennyworth of Earth-3 who arrived prior to the Syndicate to prepare for their arrival along with their mysterious hooded prisoner. It was also revealed that The Atom was actually Atomica from Earth-3, who was an agent for the syndicate who had been infiltrating both A.R.G.U.S and the Justice League. Meanwhile Cyborg's body rejected his human half as a sentiment computer virus had taken over robotic parts coalescing into a robot named Grid. Our heroes were easily defeated and the Crime Syndicate claim that the earth is now theirs. Having read and enjoyed Justice League Vol. 5 Forever Heroes, a tie in to the Forever Evil event, depicting events that run parallel to this huge story. The issue cover images in the companion book mirror some of the events that happen within Forever Evil. The fight between Ultraman and Black Adam that began in the pages Justice League # 24 concludes here. Unlike the last two Justice League books, this isn't a story of crossovers or building to something else. This is a spin off from the Justice League series, it is the main event and was a thrilling event that exhibits that evil is relative.

Neither Forever Evil or Justice League Vol. 5 directly follow up on the events that transpired on the Syndicate's arrival, instead this mini series takes places a short time after when they have began to conquer our world. It leaves it accessible to new readers and merely alludes to the fate of the Justice League's, helping the series to start off on its own distinct note keeping it a straightforward in regard to events that preceded it.

The first act is to catch readers up with the apparent "hero" of this event, Lex Luthor. When the threat is realized that the world is in danger and there is no Superman here to save it. Luthor views this as the realization of how he always felt about the over reliance on superheroes. With no one left to save them, he makes steps necessary to take them out. This conflict may be enough to force even the world's most self-absorbed man to act for the greater good. He has always proclaimed he would have done such good if Superman had not been here, he has a vague notion of heroism. Luthor leads a pack of villains that disagree with the syndicates rule. It is an engaging read as it showcases characters usually viewed as antagonists in a light not seen before, while playing to John's strengths making villains more interesting and complex. As the story progresses you find yourself rooting for Luthor's Injustice League.


It’s an interesting and unique premise, most superhero graphic novels pit the good guys against the bad. Forever Evil’s unique approach puts the bad guys against a villainous group of world conquering tyrants. It is a great story and one of the best since The New 52 began that that dives straight into DC's super villain community depicting a war between the world's villains and the invading Crime Syndicate of Earth-3. Geoff Johns continues the trend of villains growing more complex and interesting. Forever Evil is an exceptional big Justice League style of story but without the worlds greatest heroes being featured making Lex Luthor the “Hero” as earth's saviour. Johns continues to do what he does best and brings the standard of large scale stories back to its former glory that hasn't been seen since Justice League Throne of Atlantis feature.

Issue #1 launches the Forever Evil event and even though it and the book cover features a large assembly of villains its story is not overloaded with them throughout. I was concerned that the story would filled with villains that I wasn't familiar with, but luckily we get a well known handful featured in Luthor's squad while others appear in there own roles in the many tie ins of the Forever Evil event. Bizarro makes his New 52 debut in this fresh approach that far exceeds his usual role as a brainless, comedic villain. Batman plays a secondary role and does his best to control Luthor’s squad. His main objective is a rescue mission for an close alley that the syndicate has already made an example out of.

The story ends as it began with Lex Luthor, he develops and possibly finds a new role in for himself going forward in the DC Universe, but do we buy that Luthor has turned a new leaf? No matter what it changes the dynamic for future stories. It is an epic read and has such a grand finale feel to it, as if it was the end of the series or writer Geoff Johns run on the Justice League comics, fortunately it is not. The mini series is a spin off from the Justice League series but is told in a way that is not heavily necessary or dependent on having read the previous releases as it stands well on its own.The New 52 debut of the Crime Syndicate is a fresh and novel approach, rather than facing off against their heroic counterparts the Syndicate clash a with a band of earth's villains. It's one of the biggest threats the world has seen since the formation of the League in Justice League Vol.1 Origin. Heroes fall, but villains rise taking on the role of earth's heroes. Johns tells an epic story and continues to do what he does best. It feels pivotal if you read the John's current Justice League comics as the upcoming graphic novel release in the series looks to have shaken things up with the outcome of Forever Evil, but again it works well as a stand alone epic tale.