The Flash Volume 5 History Lessons is the final volume in the series by one of the original writer/artists of The New 52 Flash series Brian Buccellato before an all new creative team took over the series with The Flash #30. The main part of the collection is the three part mystery story History Lessons, in which The Flash uncovers a serial killer that was active during the year that his mother was murdered. He investigates if both cases are connected and if he can find his mother’s killer that his father was convicted of. Also collected is standalone stories as the Flash tries to stop a thrill seeking thief and a story that is the first meeting of the Flash and friend Hal Jordan/Green Lantern. Collects The Flash #26 – 29 and The Flash Annual #2 with several guest writers and artists.
The Flash series so far has consisted of multi arc stories. Volume 5 History Lessons is made up of a variety of stories that take the Flash, to an alien planet with Green Lantern, to the skies to stop a thrill seeking sky pirate and investing a murder mystery with a supernatural element. The collection opens with “The Quick and the Green”, bucks the growing trend toward gritty realistic stories, it’s fun and light. It’s a reminder what superhero comics used to be all about. The Flash #26 is a standalone issue where the Flash has to chase down a group of thieves but, their method of transport leaves the Flash figuring out to stop group that travel by the sky. It’s a good straightforward simple story seeing the Flash in action and being tested in a way he hasn’t been before.
History Lessons is the final part of the book and the main story that connects more to the current series although, it’s pretty standalone in ways too. In this excellent mystery story the Flash/Barry Allen uncovers a mass grave that leads him to believe a serial killer had additional unknown victims. Barry believes that this could potentially include his mother Nora. Barry seeks to investigate if the there is a connection between the two cases. His investigation leads to the supernatural with the addition of a well-known guest star to help. I thought the premise of this was excellent and how it connects to Barry’s past and changes what we know. The interesting C.S.I. approach is brings it back to great elements of the series for a supernatural story. History Lessons offers an intriguing change to story of who killed Nora. The Flash T.V. series took it influences for the Flashpoint story and this newest take changes what went on before. Barry’s father had been convicted for the crime years ago and Barry always believed that he was innocent. This case is one he can’t leave alone, one that adds to his family drama. It’s a real good story.
Although thematically the Flash Volume 4: Reverse was more fitting conclusion to the original creators of this 2011 series. Brian Bucellato’s final few issues are good, offering variety to this volume before new creators take over the series. It gives you different elements and types of stories for the Flash while venturing back a bit more into his history and his mother’s death that make for the most compelling and intriguing reading by completing the final collection of issues by one of the original creators that made the New 52 Flash so great. A neat little collection of stories for fans of The Flash.
Francis Manapul and Brian Bucellatto conclude their fantastic 25 issue run on fantastic the Fastest Man Alive – The Flash. The writer artist team reinvent one of the Flash’s best known villain’s in this murder mystery as The Flash chases down the deadly speedster who grows faster with each victim. The exciting story arc Reverse ends their run before a single issue crossover on the Batman origin event Zero Year. Collects issues: The Flash #20 – 25 and #23.2 The Reverse Flash.
Just when Barry Allen’s life seems to be settling down after the chaos that was his clashes with the Rouges and the invasion led by Gorilla Grodd on Central City. Barry’s life appears to be getting to a better place moving in with his girlfriend Patty Spivot and has rescued Iris West and the others who had been trapped inside the Speed Force. All appears to be good, until a super powered murderer starts killing those with a connection to the Speed Force. A new Flash epic stars here.
After the more fantastical elements have been dealt with in previous story arcs, the central conflict of Reverse is that of a murder mystery that’s a bit more grounded approach for a story. It’s a more compelling story than previous of the run so far, it exercises some restraint in its approach. The style of story and art by Manapul feels like the mystery stories that he worked with writer Geoff Johns on their 2010 series. The Flash can do almost anything but here he uses his scientist skills to help solve the grisly murders. With both Barry and Iris both targets of this killer, their proximity to each other may prove problematic for Barry’s relationship with Patty. With earlier Flash stories of the series having so much happen so fast, this story is slowly unraveled, just the way a murder mystery should. It has a greater emphasis on Barry’s police work and interpersonal relationships, adding more substance the world of the Flash. It also gives the core conflict a sense of urgency. The plot thickens at a slower pace than normal and it’s nice that the slow reveal gives the events ample room to breathe. Just as the killer's identity is revealed, the Villains Month issue steps back from current events and reveals the back story of the interesting villain, building anticipation and suspense for the overall story. The new take on the Reverse Flash is fantastic, his plan is a darker reflection of Barry Allen’s good intentions during the Flashpoint story by Geoff Johns in 2011.
The two year run by Francis Manapul and Brian Buccellato finishes on a high note, it’s a great ending story arc to their run on the Flash. Their Reverse story arc serves as a nice farewell to character that the creative team have handled so deftly. But before it can feel like a grand finale send off from the creative duo, they’ve one more story to tell. The Flash #25 is part of the Zero Year tie-in reveals Barry’s role during the Batman: Zero Year story. During Gotham’s blackout caused by The Riddler six years ago and before Barry Allen got the powers that made him The Flash. He responded to a call set out to Law Enforcement Agencies during their state of emergency, Barry is in Gotham helping out Harvey Bullock investigating a new drug on the streets of Gotham. In a surprising reveal it is the first meeting of he and Iris West. The two get on well and this flash back story sheds some more light on the chemistry between them, despite what is taking place in Barry’s relationship with Patty in present day continuity. The creator’s ability knack for characterisation carries the story through what would otherwise be a straightforward plot. It is an interesting tie to Zero Year with the focus on showcasing the kind of person Barry Allen is, with an eye on the hero man he’ll one day become.
The art thankfully remains one of the best parts of the series. Manapul and Buccellato fully perform art duties on their final story arc. In terms of art, the duo have been one of the most consistent on a comic series. Artist’s Scott Hepburn and Chris Sprouse pencil the Villain’s Month and Zero Year issues respectively, with original artists returning to their stunning art for the final few pages in Gotham. The art has always remained one of the greatest qualities of the stories, from the innovative layouts to the combination of soft tones and strong splashes of colour, everything about The Flash's visuals is executed with a level of sophistication that few superhero comics could match. In their final arc the two speedsters clash and produce incredible violent battles throughout the story that make the incredibly vibrant art alone makes this a Flash fight a standout of their run and one the Flash's greatest battles.
Francis Manapul and Brian Buccellato wrapped up their epic Flash run by introducing Reverse-Flash in a big way.The final story arc Reverse, concludes the run by pair duo 25 issue run on the Scarlet Speedster. Reverse plays more to Barry Allen’s strengths as an Crime Scene Investigator while the events of the story further complicates Barry’s personal live with an ensuing love triangle between Barry Iris and Patty.While Buccellato would continue as a writer for the last few issues on the series collected is The Flash Volume 5: History Lessons before both creators brought their amazing talents to Batman Detective Comics with issue #30. The final story puts the Flash against a new version of an old enemy while returning the character to its stronger central theme of a murder mystery that Manapul started with previous Flash writer Geoff Johns. This was the story I was most looking forward to stars a new and interesting iteration of the Reverse Flash as well as a brilliant and fantastic end to the creative run of Manapul and Buccellto, concluding their stunning run of The Flash.
Gorilla Warfare is the third volume in the series featuring the Fastest Man Alive; the Flash, Central City has been invaded by Gorilla Grodd and his army as he sets out to conquer Central City and possess the powers of the Flash. It’ll take more than the Scarlet Speedster to stop them as the Rouges join the fight in protecting Central City. Collects issues #13 – 19 by writers and artists Francis Manapul and Brian Beccellato with guest artist Marcus To and Marcio Takara.
Gorrilla Warfare is an big and all out action story with the Flash and the Rouges take on Gorrila Grodd and his army of apes taking over Central City. For the third volume in the series its more straightforward and a simpler story while tying up existing plot elements making it a satisfying story. It brings a lot of elements of Barry Allen’s personal life to a conclusion while setting up a complicated love triangle in the near future.
The talking gorilla invasion element is a bit out there but the characters of the story acknowledge it which makes easier to accept by the readers if you’re not into that part of the Flash universe. Grodd is a long time villain of the speedster and since has been lightly featured in this New 52 series since it began. This story arc is the culmination of Grood’s earliest appearances in the series, and seeing as Volume 2 Rouges Revolution opened and closed with the simian it is a worthy inclusion that made for a great story.
While the stories and always developing one thing that stays consist is the amazing and stunning art from Manapul and Beccellato. Their art always continues to astound. They always employ an inventive layout and different elements of the setting to conjure up an impressive title page. The standout example of their art is during a nine page display of the Flash’s mind envisioning different outcomes of the big conflict. The lighting-shaped panels making their way across the pages building to a wonderful visual crescendo where the lighting becoming the end title page for the issue.
In the aftermath of the Gorilla Warfare arc, the volume concludes in a two part story with a story ex-Rouge member The Trickster who’s been accused of murder. The Flash sets out to prove his innocence and becoming more difficult when he loses his powers. The story with guest artist Marcio Takara is a nice way to wrap up a good book while teasing the next big villain for the next collection.
Gorilla Warfare is the third big action story that capitalises on many of the plot elements introduced since the series began while giving way to establishing new plot threads to cumulate in Manapul and Beccellato’s final volume of the series where they introduce their new version on a quintessential Flash villain The Reverse Flash.
The second collection on The New 52 series by Francis Manapul and Brian Buccellato co writers and artists of this collection off issues joined by other guest artists Marcus To, Scott Kolins and more. The Flash has escaped the speed force and made it back to a very different Central City, where the citizens have turned on the Flash. Meanwhile The Rouges are getting back together with their new powers and a new leader. Collects issues #9 -12, #0 and The Flash Annual #1.
This volume kicks off where the last book cliff-hanger left us. The Flash escaping the speed force and landing in the midst of Gorilla City and the recently crowned King Grood. Arriving in the secret civilization of talking gorillas with the Flash taking on Grood and learning about the prophecy about the speedster. This is my least favourite aspect of the Flash universe, but the creators acknowledge it by Barry referring to it like something out of a sci-fi movie. After Barry returns home he discovers he’s not the loved hero he once was. It brings a nice change to the story as Barry is hiding out in a rougher part of town. Barry’s life as the Flash is turned upside down and keeps his death a secret from his friends and girlfriend while he figures out what to do next. For a character that has always been so positive it’s interesting to see what he does next with his life in disarray.
The second volume of the Flash is heavy focus on the Rouges, the group haven’t always been the most imposing threat to the Flash or Central City but now has changed, it works brilliantly in tandem with Barry’s personal life in the state that it’s in.
The Rouges, the Flash’s great adversaries, this supervillain team make their debut in the series relaunch. No longer with weapons they now have the abilities of their weapons. So it’s not as easy for the Flash to just stop them by quickly disarming them. The Flash comes up against each member of the Rogues in a before they are recruited by their new leader for a big showdown with the Flash. The story building to an exciting clash between the Rouges and the Flash. The Flash Annual #1, keeps the suspense going after the thrilling issue that preceded it. The double length annual issue does some exposition into the history of the Rouges and how they got their new powers before returning the story to the big showdown.
The Flash #0 is collected at the end of the volume and is a welcome return to wonderful art of Manapul and Beccellato. A loose origin story, this issue details how Barry got his powers and motivation for becoming a hero. It’s less of a superhero story and more of an emotional story, the tender subject of his relationship to his parents and the murder of his mother forms the heart of the story. It introduces an intriguing new mystery and history to the death of Barry’s mother Nora and what his father had in connection with his wife’s murder/death. It’s a new twist on a familiar story but it’s ambiguous and left up to the readers interpretation of what happened? Is the reboot relying on the most recent retcon to Barry Allen’s history by Geoff Johns in the Flash Rebirth series or is this New 52 Flash setting up a new change to this element of The Flash?
Again the team of Manpul and Beccellato create some beautiful art for their story, doing art for the majority of the issue while artist Marcus To fills into for two issues before we return to the original and elegant art the series is known for. The Annual issue features several guest artists for the double length issue.
Rouges Revolution is a solid follow up focusing on one of the best elements of the Flash, his Rouges. The Flash takes on each member of the group individually before as they all band back together to take down the Flash. Along with Gorilla Grood at the start of the book setting up the next story arc Gorilla Warfare which I’m sure is to also include the Rouges in the third volume of the series.
