Francis Manapul and Brian Bucellatto conclude their fantastic 25 issue run on fantastic the Fastest Man Alive – The Flash. The writer artist team reinvent one of the Flash’s best known villain’s in this murder mystery as The Flash chases down the deadly speedster who grows faster with each victim. The exciting story arc Reverse ends their run before a single issue crossover on the Batman origin event Zero Year. Collects issues: The Flash #20 – 25 and #23.2 The Reverse Flash.
Just when Barry Allen’s life seems to be settling down after the chaos that was his clashes with the Rouges and the invasion led by Gorilla Grodd on Central City. Barry’s life appears to be getting to a better place moving in with his girlfriend Patty Spivot and has rescued Iris West and the others who had been trapped inside the Speed Force. All appears to be good, until a super powered murderer starts killing those with a connection to the Speed Force. A new Flash epic stars here.
After the more fantastical elements have been dealt with in previous story arcs, the central conflict of Reverse is that of a murder mystery that’s a bit more grounded approach for a story. It’s a more compelling story than previous of the run so far, it exercises some restraint in its approach. The style of story and art by Manapul feels like the mystery stories that he worked with writer Geoff Johns on their 2010 series. The Flash can do almost anything but here he uses his scientist skills to help solve the grisly murders. With both Barry and Iris both targets of this killer, their proximity to each other may prove problematic for Barry’s relationship with Patty. With earlier Flash stories of the series having so much happen so fast, this story is slowly unraveled, just the way a murder mystery should. It has a greater emphasis on Barry’s police work and interpersonal relationships, adding more substance the world of the Flash. It also gives the core conflict a sense of urgency. The plot thickens at a slower pace than normal and it’s nice that the slow reveal gives the events ample room to breathe. Just as the killer's identity is revealed, the Villains Month issue steps back from current events and reveals the back story of the interesting villain, building anticipation and suspense for the overall story. The new take on the Reverse Flash is fantastic, his plan is a darker reflection of Barry Allen’s good intentions during the Flashpoint story by Geoff Johns in 2011.
The two year run by Francis Manapul and Brian Buccellato finishes on a high note, it’s a great ending story arc to their run on the Flash. Their Reverse story arc serves as a nice farewell to character that the creative team have handled so deftly. But before it can feel like a grand finale send off from the creative duo, they’ve one more story to tell. The Flash #25 is part of the Zero Year tie-in reveals Barry’s role during the Batman: Zero Year story. During Gotham’s blackout caused by The Riddler six years ago and before Barry Allen got the powers that made him The Flash. He responded to a call set out to Law Enforcement Agencies during their state of emergency, Barry is in Gotham helping out Harvey Bullock investigating a new drug on the streets of Gotham. In a surprising reveal it is the first meeting of he and Iris West. The two get on well and this flash back story sheds some more light on the chemistry between them, despite what is taking place in Barry’s relationship with Patty in present day continuity. The creator’s ability knack for characterisation carries the story through what would otherwise be a straightforward plot. It is an interesting tie to Zero Year with the focus on showcasing the kind of person Barry Allen is, with an eye on the hero man he’ll one day become.
The art thankfully remains one of the best parts of the series. Manapul and Buccellato fully perform art duties on their final story arc. In terms of art, the duo have been one of the most consistent on a comic series. Artist’s Scott Hepburn and Chris Sprouse pencil the Villain’s Month and Zero Year issues respectively, with original artists returning to their stunning art for the final few pages in Gotham. The art has always remained one of the greatest qualities of the stories, from the innovative layouts to the combination of soft tones and strong splashes of colour, everything about The Flash's visuals is executed with a level of sophistication that few superhero comics could match. In their final arc the two speedsters clash and produce incredible violent battles throughout the story that make the incredibly vibrant art alone makes this a Flash fight a standout of their run and one the Flash's greatest battles.
Francis Manapul and Brian Buccellato wrapped up their epic Flash run by introducing Reverse-Flash in a big way.The final story arc Reverse, concludes the run by pair duo 25 issue run on the Scarlet Speedster. Reverse plays more to Barry Allen’s strengths as an Crime Scene Investigator while the events of the story further complicates Barry’s personal live with an ensuing love triangle between Barry Iris and Patty.While Buccellato would continue as a writer for the last few issues on the series collected is The Flash Volume 5: History Lessons before both creators brought their amazing talents to Batman Detective Comics with issue #30. The final story puts the Flash against a new version of an old enemy while returning the character to its stronger central theme of a murder mystery that Manapul started with previous Flash writer Geoff Johns. This was the story I was most looking forward to stars a new and interesting iteration of the Reverse Flash as well as a brilliant and fantastic end to the creative run of Manapul and Buccellto, concluding their stunning run of The Flash.
Batman Volume 5: Zero Year Dark City is the next part of the Zero Year story line that ended on a cliff-hanger in the last collection; Batman Volume 4 Zero Year Secret City, in which Bruce Wayne became Batman and successfully stopped the Red Hood gang. After that confrontation Edward Nygma made his presence known as The Riddler and in his first appearance announcing his control over Gotham, shutting off its power and challenging its residents of to rise up to the challenge to turn it back on. Also, the Gotham City Police Department's gruesome discovery sets up the main conflicts for the concluding chapters in this large scale story arc.
Having witnessed Bruce Wayne become the Batman in the last collection, Dark City is the first big challenge in the Batman’s career. He has to save the whole city while being public enemy number one in the eyes of the GCPD. The Riddler’s blackout is not Batman’s primary concern, a series of suspicious and gruesome murders are, wherein the victim’s bones grew out of their own bodies. Doctor Death was one of Batman’s original enemies; being the very first super villain Batman faced, first appearing in Detective Comics #29 in 1939, two issues after Batman’s original appearance. Zero Year Secret City featured the Red Hood, an early Batman villain, the same trend continues here in this re imagining of The Dark Knight's early crime fighting career. Both Doctor Death and the Red Hood are important players in the whole Zero Year saga, they both go way back to the earliest Batman adventures in the Golden Age of comics. Writer Scott Snyder takes one of the first villains he ever faced and puts him into the New 52 continuity as one of Batman’s first super villains. Dr. Karl Helfern, a scientist working on a bone growing serum whose experiments have turned him into a grotesque monster. The results of which have been teased in the final pages of the preceding volume. It’s a throwback to the mad scientist style of villain, Dr. Death provides the physical challenge to Batman in the first part of the story in which The Riddler can’t give. He’s also strikingly designed by Artist Greg Capullo, this modern revamp of the character is the most monstrous, disgusting and grotesque villain created and is extremely well suited to Capullo’s artistry, a most vile creation.
Edward Nygma’s New 52 origin was revealed in the first installment of Zero Year , it reveals that Nygma was once a high level employee of Wayne Enterprises and later becomes The Riddler, causing the blackout. The groundwork had been set and initially The Riddler hovers in the background as an unpredictable threat causing chaos in Gotham. He is not a physical challenge to Batman instead possess a sharp intelligence and cunning mind used to devastating effect. It’s more that just a battle of wits in the biggest scheme in the history of The Riddler. An entirely new version of the character, it’s startling and exciting to reveal as to what this new Riddler is capable of. Snyder has taken the classic Batman villain and has made him work so well in a contemporary Batman story. Some elements of Batman’s early days are somewhat predetermined. The Riddler’s schemes are not, which effectively makes the threat of Zero Year all the more terrifying. Giving Batman challenges unlike ones he’s ever faced before: A broken city, self doubt, and challenges to the essential functions of Batman himself.
In my experience of previous Batman origin tales, Bruce Wayne had always trusted Jim Gordon to some degree. He was the one good cop in Gotham. Their trust and mutual respect was always the foundation of that partnership. In this case, Bruce loathed and hated Jim Gordon along with the rest of the GCPD. It is a terrific addition to the story, Bruce saw Gordon as corrupt, distinctive of Gotham’s law enforcement and part of what turned him into a vigilante. Dark City examines Gordon’s tenure within the GCPD and puts a face to corruption that drove Bruce into taking matters into his own hands. It is a terrific addition to the story; He saw Gordon as corrupt, distinctive of Gotham’s law enforcement and part of drove Bruce into taking matters into his own hands. Dark City examines Gordon’s tenure within the GCPD and puts a face to corruption. This offers a change in the approach of how Gordon and Batman get to work together. The other part of that legend remains unchanged; a young beat cop named Jim Gordon was first on the scene to comfort the boy after the murder of his parents. His role remains the same and the event remains fully intact, it’s what comes after their faithful meeting that is altered so much that young Bruce Wayne grows up hating him. This turn of events adds a new mystery to their story giving readers and fans a twist on their iconic relationship. In the past, Jim had to prove that he would be worthy ally of Batman, Zero Year takes things one step further, personalizing the story to Bruce. Gordon had to earn back Bruce’s trust in order to earn Batman’s. After ripping down the foundation of trust between them, readers and long time fans now get to see this iconic partnership grow once more.
While the partnership of Batman and Gordon is unquestionably vital to the mythos, no other relationship is as commensurate as the one between Bruce and the ever supportive Alfred Pennyworth. While he has often shown to worry about Bruce and his protégés in the past, we now are given a depiction of Alfred constantly against Bruce’s mission. They've always had a conflict and difference of opinions and beliefs. Eventually though, Alfred proves that he basically simply wants the best for Master Bruce, and that he’ll always be there for him. He may not always fully understand or support his Master’s mission but will be ever dependable. Infusing a great deal of meaning and significance to a already meaningful relationship by adding dramatic elements that helped unite the pair in a way never seen before /innovative manner of story telling.
Bruce Wayne of Zero Year Dark City is still a refreshing change of pace from the dark and brooding persona that we've come to know. He’s less honed and regal, taking joy in what he does, a victorious smirk creeps across his face on occasion. He takes joy in what he is doing, his remark about a newly acquired scar he received as “First real kiss of Gotham” is telling of his attitude to his chosen undertaking. Zero Year Batman is a less experienced crime fighter capable of failure, he is still learning, he is vulnerable and the task at hand is too large to do on his own, it’s nice to see emphasis on the heroes without masks that carry Bruce when he falls. This is truly an origin story that enriches Batman’s character significantly, facing his deadliest challenge in his early career. This is a Batman driven by his guilt rather than vengeance. Bruce Wayne is The Batman and not the other way around as has been established over the decades.
Earlier story arcs in this best selling and critically acclaimed Batman series by Snyder and Capullo have been ambitiously large adventures but pale contrast to the Zero Year saga in terms of its sheer scale. A rookie Batman against mad machinations of monstrous Dr. Death and the ingenious of The Riddler, with only newly founded allies of both Jim Gordon and Lucius Fox to aid him in ultimately stopping Nygma’s control over Gotham City. That moment that the story has always been building to, Gotham City in ruins and Batman about to face his foe, teased way back in Batman #21 at the beginning of this story arc.
Snyder and Capullo add plenty of Batman references/easter eggs throughout, paying homage to what has gone before his re-interpretation of the Batman. The final act has a slight reminiscence of The Dark Knight Rises film.
Whereas Batman Year One was slightly more focused on Jim Gordon, Zero Year is a Bruce Wayne story. Presenting Batman’s formative years in the face of Gotham’s biggest threat, while giving insight of both characters pasts. Origin stories can typically be a short mini series or short story arc outlining the highlights of that hero’s journey. Zero Year is a large scale story, told within the pages of this Batman series, It is the origin of one of comics best heroes. Not just how Bruce Wayne came to be The Batman, but how Batman became the protector of his beloved city in the time when it was most in need. The conclusion is a deep and meaningful ending that gives new meaning to a symbolic connection of Batman and his city.
Batman is a character that is infinitely renewable, Zero Year was never intended to override what came before it instead Snyder simply/merely wanted to give his own interpretation of Batman’s origin in a modern contemporary setting of the New 52, Refining and giving us a new Batman going forward for the 75 year old character. Before Robin, the Batmobile and The Joker there was ZERO YEAR, a new take on Batman’s origin unlike any before. A 12 issue story arc offering an expanded and broader scope of an origin story. It doesn't have the appeal of a single short trade paperback graphic novel but instead Zero Year is a large scale and grand adventure, both action-packed and clever to the end. An epic story not to be overlooked and is in my opinion essential Batman story and must read.
