This volume kicks off where the last book cliff-hanger left us. The Flash escaping the speed force and landing in the midst of Gorilla City and the recently crowned King Grood. Arriving in the secret civilization of talking gorillas with the Flash taking on Grood and learning about the prophecy about the speedster. This is my least favourite aspect of the Flash universe, but the creators acknowledge it by Barry referring to it like something out of a sci-fi movie. After Barry returns home he discovers he’s not the loved hero he once was. It brings a nice change to the story as Barry is hiding out in a rougher part of town. Barry’s life as the Flash is turned upside down and keeps his death a secret from his friends and girlfriend while he figures out what to do next. For a character that has always been so positive it’s interesting to see what he does next with his life in disarray.
The second volume of the Flash is heavy focus on the Rouges, the group haven’t always been the most imposing threat to the Flash or Central City but now has changed, it works brilliantly in tandem with Barry’s personal life in the state that it’s in.
The Rouges, the Flash’s great adversaries, this supervillain team make their debut in the series relaunch. No longer with weapons they now have the abilities of their weapons. So it’s not as easy for the Flash to just stop them by quickly disarming them. The Flash comes up against each member of the Rogues in a before they are recruited by their new leader for a big showdown with the Flash. The story building to an exciting clash between the Rouges and the Flash. The Flash Annual #1, keeps the suspense going after the thrilling issue that preceded it. The double length annual issue does some exposition into the history of the Rouges and how they got their new powers before returning the story to the big showdown.
The Flash #0 is collected at the end of the volume and is a welcome return to wonderful art of Manapul and Beccellato. A loose origin story, this issue details how Barry got his powers and motivation for becoming a hero. It’s less of a superhero story and more of an emotional story, the tender subject of his relationship to his parents and the murder of his mother forms the heart of the story. It introduces an intriguing new mystery and history to the death of Barry’s mother Nora and what his father had in connection with his wife’s murder/death. It’s a new twist on a familiar story but it’s ambiguous and left up to the readers interpretation of what happened? Is the reboot relying on the most recent retcon to Barry Allen’s history by Geoff Johns in the Flash Rebirth series or is this New 52 Flash setting up a new change to this element of The Flash?
Again the team of Manpul and Beccellato create some beautiful art for their story, doing art for the majority of the issue while artist Marcus To fills into for two issues before we return to the original and elegant art the series is known for. The Annual issue features several guest artists for the double length issue.
Rouges Revolution is a solid follow up focusing on one of the best elements of the Flash, his Rouges. The Flash takes on each member of the group individually before as they all band back together to take down the Flash. Along with Gorilla Grood at the start of the book setting up the next story arc Gorilla Warfare which I’m sure is to also include the Rouges in the third volume of the series.
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